Want to learn more about figure skating history? You are in the right place!
Created in 2013, Skate Guard Blog explores the overlooked, forgotten, and underappreciated corners of figure skating history - from little-known stories to fresh perspectives on famous skaters, eras, and events. There’s always something new to discover, so grab a cup of coffee and glide into the rich, fascinating history of the world’s most beloved winter sport.
More than a century of American figure skating history is a lot to keep track of.
What were the first U.S. Figure Skating Championships like? Who were the first skaters from each state to compete at Nationals? Which skaters made history, and how has American figure skating evolved over the last century?
If you've ever found yourself going down an internet rabbit hole trying to track down a result, verify a skating first, or remember exactly who stood on the podium in a particular year, you know as well as I do that figure skating history isn't always easy to piece together - and that the information you may find online isn't always the most accurate.
That's where my latest book comes in!
I'm delighted to announce the release of A Complete History of the U.S. Figure Skating Championships, a comprehensive collector's edition reference book documenting more than 100 years of American figure skating history.
A look inside the book
This isn't a coffee table book or a traditional narrative history, and I want to be crystal clear about that. It's a reference book designed to be explored, consulted, revisited and kept on the bookshelf within easy reach.
Inside, you'll find complete results from the U.S. Figure Skating Championships, fascinating little tidbits that offer context about each year's event, notable firsts, records and milestones, bringing together an extraordinary amount of information about America's premier figure skating competition.
Theresa Weld and Nathaniel Niles performing at the first U.S. Figure Skating Championships in 1914
The information in these pages has been pieced together through extensive research, bringing together results, historical context, little-known facts and details. From the early days of the U.S. Championships to the modern era, the book traces the people, performances and developments that have shaped American skating. The results and historical information are interspersed with some lovely black and white photographs that offer glimpses of the skaters and eras that came before us.
Whether you're a longtime skating fan, a researcher, a coach, a current or former competitor, or simply someone who loves knowing the history behind the sport, there's plenty to learn. And if you've competed at Nationals - you'll find your name in this book.
Michelle Kwan at the 2002 U.S. Figure Skating Championships in Los Angeles, California. Photo courtesy Kevin Rushforth.
American figure skating has a truly fascinating history. Some of its stories are very well-known, others have been largely forgotten, and many of the most interesting details are buried in old records, newspapers and publications. My hope is that this book makes that history a little easier to find and that you might learn something new as you explore its pages.
You can order your copy of A Complete History of the U.S. Figure Skating Championships today online, in hard cover, paperback or eBook format.
Thank you, as always, to everyone who supports my work documenting and preserving figure skating history. There are plenty more stories to tell - and I can't wait to share some of the other projects I have been working on as well!
On November 11, 1918, the Armistice signed near Compiègne, France, brought an end to the fighting on the Western Front and marked a turning point in the history of the Great War.
Throughout both World Wars, members of the Canadian figure skating community answered the call to serve their country. Among them were Canadian Champions and international competitorsd, judges, coaches, club leaders, recreational skaters, and relatives of some of Canada's most celebrated skating figures. Countless men and women served in the armed forces or contributed to the vital work carried out on the home front.
This Remembrance Day, Skate Guard honours their courage, service, and sacrifice with a special Veterans' Week page, remembering the Canadian skating community's contributions during wartime.
Well, it's been a tad quiet around here for the past couple of months! I've been extremely busy, focusing on the demands of a very busy day job, but I'm back and chomping at the bit to talk skating history with you again this skating season. During my time away, I've been thinking about what I want Skate Guard Blog to be and where I want to focus my time. Spoiler alert: it's not creating filler for social media.
In 2026, social media is a bit of a "necessary evil" for anyone who is creative. It's one way of building an audience and attempting to expose your work to people who might never otherwise know about it. Unfortunately, the algorithms now focus heavily on promoting bite-sized stories, short-form content and punchy 20-second Reels. Social media platforms increasingly favour content that keeps people scrolling and bury anything that sends people elsewhere to read something longer. I have zero interest in telling a 20-second version of a story that deserves 20 minutes of someone's time. I'm not a TikTok influencer; I'm a researcher and a writer. I'd much rather focus my efforts and time on continuing to create engaging long-form content, so if I'm a little quieter on social media in the coming months, it's because I'm busy focusing on what I do best: digging through old newspapers, photographs, programs, books and archives to pull together stories about the people, places and events from figure skating history that have been overlooked, forgotten or simply haven't been given the context they were due. And that's what I want Skate Guard Blog to continue to be about.
1914 World Figure Skating Champion Gösta Sandahl. Photo courtesy Sveriges Centralförening för Idrottens Främjande.
There's something quite extraordinary about figure skating history and the way it is often judged through a modern lens. When we look back at the early days of the sport, it's all too easy to fall into the trap of comparison. Many people look at what today's skaters can do now and judge skating's pioneers against the same standards. They measure the merits of the sport's earliest pioneers by the jumps they couldn't perform, the aesthetic of the costumes that they wore or the clunky-looking skates on their feet. There's an unfortunate tendency to dismiss these early champions as "lesser-than" because they weren't doing quadruple jumps, when in reality they were very skilled experts at compulsory figures, which counted for over 60% of a skater's score at the time. Don't forget - in the early days, figure skating was all about figure skating - not free skating.
The sport's earliest champions were doing their very best with the knowledge, equipment, training conditions and opportunities available to them at the time. Like today's skaters, they pushed boundaries and laid the groundwork for generations of skaters who followed. They may not have been doing the same technical elements today's skaters do, but they were the very best skaters of their time - and their stories deserve to be told with nuance.
1929 World Champions Lilly Scholz and Otto Kaiser. Photos courtesy Mag. Elisabeth Rehse-Holzer / Wiener Eislauf-Verein.
We can become so preoccupied with looking at the past through the lens of the present that we forget something rather important: the people who made history weren't living in the past. They were living in the present.
They didn't know how their stories would end. They weren't thinking about how future generations would judge their skating. They were simply living their best lives, pursuing their passion for the sport, and dealing with the same messy, complicated business of being human that we all do. And telling their stories is where I want to spend my time.
I'd love to talk a little bit about some of the many projects that will be launched in the coming months!
Here's what you can expect:
MORE BLOGS
Skate Guard Blog will be returning to a weekly format, with new content coming out once a week at www.skateguardblog.com.
MORE BOOKS
New books are on the way! I'm excited to announce that I'll be launching two new reference books this season. "A Complete History of the U.S. Figure Skating Championships" is out this month. Like my last two books on the World and European Championships, this book is jam-packed with results, pictures and fascinating "Easter eggs" about the history of America's premier figure skating competition. In February, the next book in this series, "A Complete History of the World Junior Figure Skating Championships", will follow. During the 2027-2028 season, you can look for another new book, "The Great British Ice Rink" - which tells the story of British figure skating through the buildings where history was made. The latter book, in particular, was a mammoth effort - and I really think you're going to find it interesting! You can find more information about the books here.
A NEW RESEARCH PORTAL
Later this year, I'll be launching a brand new section on the blog called the Research Centre. Here, you'll be able to take a deep dive into the history of the sport by exploring in-depth profiles of dozens of the sport's earliest champions, complete with primary sources, pictures, anecdotes and fun facts that you can't just Google. The first phase of this project, which will focus on the Victorian era, will launch in December. The second phase will be online in January.
If you love learning about figure skating history, buckle up! It's going to be quite the season. There's no better time than the present to learn about the past!
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Bluesky, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering one of eight fascinating books highlighting the history of figure skating: https://skateguard1.blogspot.com/p/buy-book.html.
A little PSA - Skate Guard Blog is taking a bit of a summer/early fall break and will return to its regular weekly schedule in November. In the meantime, there are hundreds of articles about figure skating history to explore.
I've already written a whole slate of new blogs for the 2026–2027 skating season, so there's lots to look forward to!
Behind the scenes, I've also finished two new figure skating reference books that will be released next season, and I'm currently in the editing & layout stage for another new book, which is keeping me extremely busy.
Wishing everyone a wonderful summer - thank you, as always, for reading and supporting Skate Guard Blog. I can't wait to share everything that's coming over the next skating season! ⛸️
Check out Skate Guard's Pride Season page for a timeline of LGBTQ+ figure skating history, a required reading list and a Pinterest board highlighting how the history on the figure skating has intersected with LGBTQ+ history.
To nominate LGBTQ+ skaters to the Skate Canada Hall Of Fame, click here.
The world was still in shock over the crash of Turkish Airlines Flight 891, the deadliest single aircraft crash in history, and the kidnapping of Patty Hearst. Children from Warsaw to Winnipeg were still playing with their latest Christmas gifts - roller skates, Hoppity Hops and transistor radios. Terry Jacks' "Seasons In The Sun" topped the music charts.
The year was 1974, and from March 5 to 10, the world's best figure skaters gathered in Munich, West Germany for the World Figure Skating Championships. They were held in the two-year-old Olympiahalle München, site of the gymnastics and handball events at the 1972 Summer Olympic Games. Many reporters covering the events had painful memories of the terrorist attack on the Israeli team that had occurred just two years prior.
Video courtesy Frazer Ormondroyd
One of the highlights of the event was a special ceremony put together by the organizers featuring the largest gathering of past World Champions in history. The oldest was West Germany's own Anna (Hübler) Horn, who won the 'first official' ISU World Championships in pairs skating back in 1908.
Top: The Canadian team in Vienna prior to the 1974 World Championships. Photo courtesy Sandra Bezic. Bottom: Ticket stub from the 1974 World Championships.
The official hotel was the Holiday Inn on the Leopoldstraße, which was attached to a Beatles-inspired discotheque called the Yellow Submarine. Let's take a look back through the Sea of Time and see how the skaters of Yesterday came together in Munich! THE PAIRS COMPETITION
Pairs medallists
All three of the couples that medalled at the previous year's World Championships in Bratislava returned for a rematch of sorts. However, twenty-four-year-old Irina Rodnina and twenty-two-year-old Aleksandr Zaitsev, the defending World Champions, were regarded by many as being in a class of their own. Though they won both the short program and free skate in Munich on the way to Rodnina's sixth consecutive World title, they made critical mistakes on side-by-side jumps in both programs. In fact, their margin of victory over the number two Soviet pair, Lyudmila Smirnova and Alexei Ulanov, was surprisingly narrow - just over two points.
Top: Romy Kermer and Rolf Österreich. Photo courtesy Julia C. Schulze. Bottom: Irina Rodnina and Aleksandr Zaitsev.
Romy Kermer and Rolf Österreich, only fifth in 1973, knocked their teammates Manuela Groß and Uwe Kagelmann off the podium with two strong performances. Canadian siblings Sandra and Val Bezic had their best result ever in an ISU Championship, placing a strong fifth in their final trip to the Worlds. Canada's number two team, Kathy Hutchinson and Jamie McGrigor, placed a disappointing last. An unlucky thirteenth were France's Florence Cahn and Jean-Roland Racle. Racle would later coach Laëtitia Hubert, who would famously collide with Midori Ito in a warm-up at the next World Championships in Munich seventeen years later, two years after the fall of The Berlin Wall. THE WOMEN'S COMPETITION
Christine Errath. Photos courtesy Julia C. Schulze.
Karen Magnussen and Janet Lynn, the top two finishers at the 1973 World Championships in Bratislava, had turned professional. Seventeen-year-old Christine Errath, bronze medallist in 1973 and the winner of the European Championships in Zagreb, was heavily favoured to win. The sentimental favourite of the crowd, however, was Munich's own Gerti Schanderl, the three-time West German Champion who had recently brought home a gold medal from the Prize of Moscow News event in the Soviet Union and placed fourth at Europeans.
Christine Errath. Photo courtesy Julia C. Schulze.
Switzerland's Karin Iten carved out a three point lead over Christine Errath and Great Britain's Maria McLean in the school figures, while Schanderl placed a disappointing eleventh - all but taking her out of the medal equation. Errath moved into first place overall after the short program with a fine performance in that segment of the competition. Canada's Lynn Nightingale, twelfth in figures, placed third in that phase with an outstanding performance, just behind Dorothy Hamill.
In the free skate, Christine Errath attempted to make history as the first woman to land a triple toe-loop at the World Championships. She ultimately tumbled, but still received mostly 5.8's for an otherwise excellent performance. The skater of the night was, without question, Dorothy Hamill. Benjamin T. Wright recalled, "Gerti Schanderl skated just before Hamill in the free and the displeasure of the audience at the marks she received [5.5's and 5.4's] resulted in an ongoing demonstration, which Dorothy mistakenly thought was aimed at her. Twice, she tried to take her place on the ice to start, but to no avail. Finally, she retreated from the ice to the security of the two team leaders, Doctors Hugh Graham and Franklin Nelson, both future USFSA Presidents. The audience eventually calmed down and began to demonstrate their support for her so she went out and the skated the best of all." Hamill's coach Carlo Fassi was thrilled with her performance, as was British judge Pamela Peat, who gave her a 6.0.
Dorothy Hamill and Christine Errath on the podium
When the marks were tallied, Christine Errath finished first, to the delight of her coach Inge Wischnewski. Dorothy Hamill placed second and Dianne de Leeuw third. de Leeuw's medal was the first for a Dutch skater in an ISU Championship since Sjoukje Dijkstra turned professional ten years prior. Lynn Nightingale ended up sixth and Canada's second entry, Barbara Terpenning, was an unlucky thirteenth. In Elva Oglanby's book "Dorothy Hamill: On And Off The Ice", Hamill recalled, "I was crushed, disappointed, let down. I had anticipated victory but was tasting defeat. In the end, it was my Dad who helped me come to grips with it... And so I accepted it. The butterflies of hope folded their wings and waited. There was always next year."
Video courtesy Frazer Ormondroyd
One of the main talking points concerning the women's event in Munich was (surprise, surprise) the results. Karin Iten finished fourteenth in the short, but that only dropped her to second overall entering the free skate, as the figures were worth more than the short program. She actually finished seventeenth in the free skate but only dropped down to fifth overall. Maria McLean, who placed third in the figures, defeated Iten in both the short program and free skate by several places but dropped all the way down to twelfth overall. Some questioned whether the introduction of the short program had really changed things considerably. THE MEN'S COMPETITION
In Munich, the men's field was faced with an identical situation to that of the women's. The top two skaters at the 1973 World Championships, Ondrej Nepela and Sergei Chetverukhin, had moved on, and the East German bronze medallist from the year prior had won the European title. Eighteen-year-old Jan Hoffmann, a student from Dresden, had come a long way from his twenty-sixth-place finish at the 1968 Winter Olympics in Grenoble. The press heavily favoured him to win in 1974, but he faced some stiff competition.
Manfred Schnelldorfer, Jan Hoffmann and Donald McPherson posing for photographers in Munich
Twenty-six-year-old Canadian Champion Toller Cranston stole the show in practices. In his book "When Hell Freezes Over Should I Bring My Skates?" he recalled, "Because Ellen [Burka] wanted me to shine whenever I practiced, she pushed me to the max. Later, Tamara Moskvina... confided that the Russians had laughed at me. They knew it was foolish to be too brilliant in practice. Better to hold back energy for the performance that counts." This 'shining' included a full runthrough of a brand new exhibition to "I, Pagliacci" that he would later perform in the exhibition gala, in full costume and make-up, the day prior to the free skate. He invited John Curry to the practice. Quoted in Elva Oglanby's book "Black Ice", Curry recalled, "It was one of those times that you remember all your life. I wasn't really expecting anything, although I knew Toller to be a highly unusual performer. When we arrived at the arena, almost two thousand people were inside. I was shocked, because very few people outside the competitive fraternity will normally come to a practice session. Eventually, it was Toller's turn, and the other skaters cleared the ice. As he came out, there was an audible gasp from around the building. He was dressed in black and was in white face make-up with a tear painted on one cheek. For four minutes, he skated to the music of 'Pagliacci' like someone possessed, bringing to life in exquisite cameo the tragedy of Leoncavallo's clown. It was as much about his strength as an actor and a mime as it was about his ability as a skater, although this too was original and thrilling as he cut strange, asysmetrical shapes in the air. As he finished, the crowd stood and cheered and I found myself choking back sobs. I felt I had just witnessed the future of skating." Cranston's performance not only moved Curry - it thoroughly psyched him out.
Toller Cranston and Jan Hoffmann in Munich
John Curry arrived in Munich with coach Alison Smith under tremendous pressure. He'd finished just off the podium a year prior in Bratislava, one spot ahead of Cranston, and won the bronze medal at the European Championships. The British press talked him up as a favourite. Tony Gubba, reporter from the "Liverpool Echo", called him the "Nureyev Of The Ice" and stated, "If John Curry's skating career is to continue then he MUST win a medal in Munich." Curry told him, "The only time that I'm 100 percent alive is when I'm skating. I really love performing for an audience. It's like painting pictures that everyone can see... This is the crunch. I am in Munich with every hope of a medal. But the marking in ice skating can be difficult... to understand. You can skate as well [you] possibly can but someone else polishes the ice with their backside and still finishes above you."
Jan Hoffmann, Sergei Volkov and Vladimir Kovalev (back after a year's ban from his federation after a an alcohol-related incident in Moscow) took the top three spots in the school figures. Curry placed a very commendable fourth, while Cranston finished all the way down in eighth. It could have actually been much worse for Cranston. He finished seventeenth of the twenty-six skaters on the first figure, a right forward outside rocker, blaming the fact that he'd inexplicably teared up at the start of his tracing, making it difficult for him to see what he was doing, and made the figure much larger than he wanted to. Moving up to eighth from seventeenth on the last two figures was actually quite a feat.
Video courtesy Frazer Ormondroyd
In the short program, Toller Cranston redeemed himself with one of his finest performances to Aram Khatchaturian's "Sabre Dance", earning a standing ovation. His victory in that phase of the event moved him up to fourth overall, in striking distance of the podium. Just behind Cranston in the short was his teammate Ron Shaver, who "set the hall on fire" with an equally dazzling performance to sit in fifth entering the free skate. Hoffmann retained his overall lead despite a fifth-place finish in the short, while Curry missed his combination in the short, placing only sixth.
One of the more dramatic moments occurred when American skater Terry Kubicka's bootstrap came undone. The referee, Elemér Terták, failed to stop his program until he stepped on it and fell. Hugh Graham went over to Terták and convinced him to allow Kubicka a reskate. He finished fifteenth after falling again in the reskate and told reporters, "I knew something was wrong. I could tell my strap was off, but I didn't think I should stop. I thought they would blow the whistle, but they didn't. I was really nervous the second time and didn't know how I came through."
Eight thousand spectators showed up for the men's free skate and the top two finishers in that phase of the event offered a show of contrasts. Toller Cranston placed first with a show-stopping performance to music by Offenbach from the ballet "Le Papillon" which earned him another standing ovation. In his book "When Hell Freezes Over Should I Bring My Skates?", he recalled, "The performance was meticulous and emotional. By today's standards, it was hardly technically difficult. It contained two triple Salchows and one triple loop. But that was good for its day." Hoffmann's performance lacked Cranston's flair and musicality, but it did contain an important technical achievement - the first triple Lutz performed at the World Championships since Donald Jackson's in 1961.
Jan Hoffmann and Frau Jutta Müller
When the marks were tallied, the gold went to Jan Hoffmann, the silver to Sergei Volkov (only seventh in the free skate) and the bronze to Toller Cranston. It was Canada's first medal in men's figure skating at the World Championships since 1965.
Toller Cranston. Photo courtesy "Der Spiegel".
Jan Hoffmann wasn't the only skater to go for the technical gusto in Munich. Twenty-year-old U.S. Champion Gordon McKellen Jr. attempted to make history as the first man to perform the triple Axel in an ISU Championship but fell short and finished sixth overall. He went on to successfully land the jump in the post-Championship exhibition, when the announcer called him back out after his performance to "McArthur Park" to perform a series of jumps as an encore. In a 1999 interview in "American Skating World" magazine, he recalled, "I nailed it. I lifted it, and I finished with this look on my face like 'There it is, take that.' Meanwhile, I suffered two nights earlier, taking it out on myself."
Gordon McKellen Jr. Photo courtesy Sepp Schönmetzler.
A nervous John Curry begged his coach to let him withdraw in the minutes leading up to his free skate. When he finally took center ice, he went for the artistic gusto, but his performance to Tchaikovsky's "Symphony No. 6 in B minor" ("Pathétique") and Ravel's "Bolero" wasn't his most thrilling. Curry later referred to it as the worst performance of his life. In the Bill Jones book "Alone: The Triumph And Tragedy Of John Curry", Ellen Streeter recalled, "It was agonising. It was like he was going around and around in slow motion. Mum and me were horrified. He just got worse and worse, and then he gave up right there. I was amazed he got seventh." After his performance, one judge allegedly told him that he should quit.
Video courtesy Frazer Ormondroyd
Ron Shaver had two errors in his free skate, but still placed third in that segment and fifth overall. Canada's third man, Robert Rubens, was fifteenth. Though the West German press was kind to Easterner Jan Hoffmann's win, they hailed Toller Cranston as the 'unofficial World Champion'. After winning, Cranston was introduced to the eccentric Ernst Hanfstaengl, a former friend of Adolf Hitler who turned against the Nazis in World War II. He bought several of Cranston's paintings. Cranston reflected, "The fame that I was able to achieve as a result of events in Munich was the passkey to a life of adventure - good, bad and bizarre - and an entree into privileged circles." THE ICE DANCE COMPETITION
Lyudmila Pakhomova and Aleksandr Gorshkov, twenty-seven-year-olds from Moscow, had won the last four World Championships. Their rivals Angelika and Erich Buck had turned professional, sparing them a showdown in the West German siblings' home country in 1974. Pakhomova and Gorshkov won the compulsory dances by a comfortable margin and won the OSP with their Tango Romantica. The dance earned them a perfect 6.0 and later of course became a compulsory dance.
In the free dance, Pakhomova and Gorshkov fended off a strong challenge from Britons Hilary Green and Glyn Watts, who trained under Peri Horne and worked with ballroom champions Bill and Bobbie Irvine. With one of their finest performances ever, the Soviets received eight perfect 6.0's - one for technical merit and seven for presentation. Natalia Linichuk and Gennadi Karponosov won the bronze in their very first trip to the Worlds. Canadians Louise and Barry Soper and Barbara Berezowski and David Porter were ninth and fifteenth. Berezowski caught the eye of British sportswriter Howard Bass, who campaigned for her to win a typewriter in a contest judged by sportswriters for "the most charming competitor."
Video courtesy Frazer Ormondroyd
In "Skating" magazine, Frank Loeser wrote of Pakhomova and Gorshkov, "Their consistency is amazing, but even more impressive is their union of technical and aesthetic excellence. The weaving, turning, symmetrical layout of their dance and the fast, silver-smooth edges never suggest strain or awkwardness. Lyudmila is the essence of drama on ice. Her expression alone is worth countless performances. At one time, she seemed a little pretentious and affected, but now her presentation is honed to an authentic naturalness. Her tango had a subtle, arrogant sensuality, and her smooth, convincing switch to the 'folk music' was both [joyous] and coyful."
On the post-exhibition tour of East Germany, the American skaters got found themselves in hot - or more accurately, soapy - water, when they added soap to a large water fountain in Dresden. Gordon McKellen Jr. recalled, "There were police with machine guns all around the fountain looking for people who might have had a hand in this. Of course, we did not volunteer any information."
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Bluesky, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering one of eight fascinating books highlighting the history of figure skating: https://skateguard1.blogspot.com/p/buy-book.html.
Born September 13, 1944, in Baltimore, Maryland, Monty Hoyt was the son of newspaper writer Wallace Taber and Helen May Lininger, a wealthy socialite who entertained everyone from President Dwight Eisenhower to Ethel Merman and Bob Hope.
Helen May Hoyt. Photo courtesy History Colorado.
After his parents' divorce, Monty was adopted by his stepfather, Edwin Palmer Hoyt, the wealthy editor and publisher of "The Denver Post" and "The Portland Oregonian". 'E.P.' served as domestic director of the Office of War Investigation during World War II, was close friends with Senator Charles L. McNary, personally knew several U.S. Presidents and had been a houseguest in the White House.
Palmer Hoyt. Photo courtesy University of Idaho Library Special Collections and Archives.
Monty grew up in Denver, Colorado, with his three brothers in a wealthy, staunchly Republican home. He excelled at French and German at George Washington High School and managed to stay on the honour roll - despite having the longest absentee record in his class - while regularly making the hour drive between Denver and Colorado Springs to train as a figure skater under legendary coach Edi Scholdan. His brothers all skated too. Greg, the second oldest, was the 1964 Midwestern Champion in novice men's. In the summers, Monty performed with a stock theatre company and he was such a talented actor. His Thespian talents were recognized and he was soon offered the child lead role that Jerry Mathers ultimately played in Bob Hope's film "That Certain Feeling".
Monty Hoyt accepting a leather-bound brochure from General Motors PR representative Thomas Pond. Photo courtesy "Skating" magazine.
Monty's figure skating career didn't exactly start with a bang. In his first competition in Minneapolis, he took a nasty fall on a split jump, smashing his chin on the ice and skidding into the judges. His first success didn't come until 1959, when he claimed the U.S. novice men's title at the U.S. Championships in Rochester, New York. After finishing fifth in the junior men's event the following year in Seattle, he rebounded to take the U.S. junior men's title the following year at his home rink.
When Tim Brown, the bronze medallist at those Championships, declined a spot on the World team due to illness, Monty was offered a position. His mother worried he'd miss too much time from school due to the planned USFSA World tour of Europe after the World Championships in Prague, so the spot was given to Douglas Ramsay, the fourth-place finisher in the senior men's event, instead. Helen May Hoyt's decision ultimately prevented Monty from getting on Sabena Flight 548, which killed the entire U.S. figure skating team, including his coach. Curiously, his mother reportedly told the story that the cockpit of Sabena Flight 548 was breached by international terrorists and 'shot up'. 'E.P.' Hoyt, who was well-acquainted with several people in the CIA, never refuted Helen's story. Helen had a bit of a reputation in skating circles. Once, Dick Button later recalled, she marched into F. Ritter Shumway's hotel room and grabbed him by the shirt -pulling out a handful of chest hair - demanding that her son's performance be included on an early television broadcast. The veteran USFSA official exclaimed, "Get that woman out of my room!"
Photos courtesy "Skating" magazine (left) and University Of Denver, Special Collections and Archives (right)
After Edi Scholdan's death, six foot tall, one hundred and fifty pound Monty worked with famed coaches Sheldon Galbraith, Gustave Lussi and Carlo Fassi. At the age of seventeen, he was the unanimous winner of both the figures and free skating in the senior men's event at the 1962 U.S. Championships in Boston, drawing great admiration from the audience of three thousand and judges alike for his near-perfect free skate set to a medley of operatic overtures.
Top: David Edwards, Scott Ethan Allen, Monty Hoyt and Jim Short at the 1962 U.S. Championships. Bottom: Monty Hoyt.
After his winning performance at the 1962 U.S. Figure Skating Championships, Monty told Associated Press reporters, "This is the first time I've ever won in free skating. Usually, I get a lead in the figures and have to skate like blazes to stay ahead. This time I had a bigger lead and was more relaxed." Monty, who had earned the nickname 'Mr. Figures' for precisely that reason became the first man since Dick Button to win U.S. junior and senior titles in successive years.
At the World Championships that followed in Prague, Monty had a strong showing in figures but delivered only a mediocre free skate, highlighted by a fall where he slid right into the referee. The Czechoslovakian judge had him as low as fourteenth in the free skate, and he later joked that he was the only skater who had a conversation with a referee during his program. On the European tour that followed, he dazzled audiences with his solo performance to "Stars and Stripes Forever" and a duet with Dorothyann Nelson until a bout of influenza caused him to return home to America prematurely.
Monty Hoyt with members of the 1964 U.S. Olympic figure skating team
Unfortunately, things started to unravel for Monty the following season. He lost his U.S. title, finished off the podium at the North American Championships and after finishing a solid seventh in figures at the World Championships in Cortina d'Ampezzo, dropped to eleventh overall after a dismal free skate skated outdoors in bone-chilling temperatures on hard, brittle ice where he fell right in front of the judges and slid into the referee. What may have contributed most to Monty's disappointing result at the 1963 World Championships was the fact that he was a 'hothouse' skater through and through who had little experience dealing with such adverse weather and ice conditions.
The following season - Monty's last - he chose to skate to the music "Battle Hymn of the Republic". It wasn't all glory, glory, Hallelujah though... He finished third at the U.S. Championships, tenth at the Winter Olympic Games in Innsbruck and eleventh at the World Championships in Dortmund. It's interesting to note that although he dropped a spot from Innsbruck to Dortmund, his brother recalled that his latter performance was the better of the two.
Left: Christine Haigler and Monty Hoyt. Right: Monty Hoyt at the Broadmoor Skating Club.
Retiring from competitive figure skating at the ripe old age of nineteen, Monty gave up on plans to attend Harvard and study languages when he received a Boettcher Scholarship to attend the University of Denver.
Photo courtesy University of Denver, Special Collections and Archives
In his junior year, Monty joined the Phi Beta Kappa fraternity and was voted 'Junior Man Of The Year' for his work in editing the "Clarion" school newspaper. He later earned a Marshall scholarship to attend Oxford University in 1967, where he graduated with a B.A. from Corpus Christi College.
Photos courtesy University of Denver, Special Collections and Archives
Monty married Katharine Lee Hamilton of Downsview, Ontario, became a father of two. He worked as the Washington correspondent for the "Christian Science Monitor" and was a member of the Ford adminstration's Presidential Commission on Olympic Sports. In August 1972, he was featured on a half-hour series on WNAC called "Lamp Unto My Feet". The episode, entitled "Tuning In To Perfection", featured his skating career, work with the "Christian Science Monitor", the Sunday school class he taught, and him speaking about his Christian Science beliefs. Off the ice, he enjoyed playing golf and bridge, swimming and horseback riding.
Photo courtesy "Skating" magazine
Several years after his stepfather's death in June of 1979, Monty returned to the skating world as a judge. Tragically, just as he was in the process of working towards judging at an international level, he was diagnosed with cancer in January of 1997.
Monty Hoyt passed away at the age of fifty-three on October 9, 1997, at his home in Phoenix, less than two months after the death of his mother, Helen Hoyt, who had also been battling cancer. Although mother and son were spared the tragedy of Sabena Flight 548 crash together, their lives ultimately came to a close within weeks of one another, thirty-six years later.
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